One of Live’s biggest strengths has always been its excellent feature set for live performance.Įven so, integrating traditional instruments with samples and tempo-synced sequences requires impressive metronome skills-especially for drummers.Ī DAW that can follow along with the subtle shifts in timing from a real player’s groove could be a gamechanger for performer live with electronic sounds.
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Linked track editing promises to solve all those problems by providing proper group functionality like Logic Pro’s quantize-locked audio or Pro Tools’ edit groups.
These problems get particularly bad if you’re editing or comping percussion tracks that were recorded with multiple mics.
If not, these inconsistent audio edits will result in issues with timing, phasing and rhythm. The introduction of comping goes hand in hand with another important workflow improvement-linked track editing. This is especially useful if you record with virtual instruments but prefer to keep your performances natural and unquantized. Uniquely, Live 11 allows you to comp MIDI tracks as well. Whenever you record a source with more than one method or microphone, you’ll have to make sure your edits apply to every single track. Traditional recording DAWs like Logic Pro and Pro Tools have robust comping workflows that allow producers to make perfect composite takes fast.Ībleton’s new comping workflow looks similar to Logic’s take folder with a loop brace style method for selecting key segments. It’s a foundational technique in vocal editing that’s used on almost every pro release. The term means selecting key moments from different takes to stitch together into a single performance. Let’s get the most anticipated new Ableton feature out of the way first-comping.Ĭomping has been among the most requested additions to Ableton Live since its earliest versions. That’s why we’re breaking down everything you need to know about the changes coming in Ableton 11. With the release of Live 11, Ableton’s game-changing DAW is getting a host of new capabilities that finally close the gap.ĭespite all the hype, keeping track of the important changes and improvements can be confusing for musicians. Its flexibility, ease-of-use and unique approach to loop-based composition make it one of the best DAWs available today.īut Live hasn't always kept up to more established DAWs when it comes to pro features. Ableton Live is the first choice of DAW for countless top producers-especially those who work with samples.
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